Fashion Shows
Another activity that dominated social programs in State's Mates' early years was the fashion show. Fashion has long been associated with the construction of personal and group identity, and the expansion of mass markets in the years immediately following World War II increased its importance among a wider array of social classes. Consequently, fashion shows were one way that State’s Mates members could assert their identity as good wives, despite the limited budget that most of their households operated on.
Fashion shows were usually sponsored by a local department store, who provided the clothing. State’s Mates contacted other local merchants for items such as mirrors and hair supplies to complete the models’ outfits. All of the models were members of State’s Mates, or their children or husbands. Men’s fashion was rarely a part of the show.
Fashion shows tied State’s Mates members to the female consumer culture of the 1950’s and 1960’s, as members could learn what was going to be “in” the next spring. At the same time, State’s Mates members were not passive consumers of fashion culture. Instead, they used the fashion show to cement their status as homemakers and workers. Clothing modeled included business wear as well as Sunday wear, and a number of fashion shows included children’s clothing as well as women’s. One show even included maternity clothing to reflect the number of members who were pregnant.
State’s mates were also producers as well as consumers of clothing. On an irregular basis, some of the fashion shows featured only clothing that State’s Mates members had made for themselves and their families. More often, self-made clothing appeared in variety shows, and eventually, the Mrs. NC State beauty pageant. Identifying themselves as producers and consumers of clothing allowed State’s Mates to participate in a culture of domestic wifehood and motherhood.
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